Emory Douglas of the Black Panther Party!
Sculpted images of African men and women were rarely shown in public galleries before the 19th century, but Charles Cordier’s plaster bust of Said Abdullah had a tremendous reception, when it was displayed at the 1848 Paris Salon. Finished in two weeks, the bust reflects the mid-19th century European fascination with non-Western physiognomy, costumes and customs, later characterised as Orentalism. In 1851 Cordier made a pendant bust of a female entitled African Venus [now in Royal Collection of the Osborn House, Isle of Wright, England] and bronze casts of both busts were commissioned, indicating the growing crossover of cultures as Africa becamemore accessible with improved methods of transportation and trade.